To celebrate the 60th anniversary of the Universal Declaration of Human Rights, Lansdowne Productions and the Scottish Documentary Institute gathered together some of the most talented filmmakers and visual artists based in Scotland. Collectively they created the feature length documentary, the New Ten Commandments. This short, The Right not to be Tortured is one of those commandments.

A behind-the-scenes look at the music industry reveals what artists must face when chasing their passion. Eddie, a Miami-based music artist and lead singer of the international band Toke D Keda, born in Puerto Rico, is determined to achieve success at any cost. When he is denied a rightfully earned recording contract with Sony Music, he must make some tough choices. Giving up is not an option. A relentless pursuit of a lifelong dream takes Eddie on the journey of a lifetime. He will travel to the ends of the world to find himself and his purpose, but at what cost? Eddie suspects someone is stealing money, but this is the least of his problems. As the band's popularity rises, just trying to keep them together may prove impossible.

Maria, a 7-year-old girl, is left home alone while her mother goes out to shop for dinner. Her time alone extends into the evening. When someone knocks on the door, Maria is unsure whether it is her mother or not.

The most problematic aspect of Zsolt Kézdi-Kovács's films is the political motif of The Right to Hope, which is incomprehensible from a child's point of view and therefore disrupts the unified soul. The film works just as well without it, and it really works without the element of logical incoherence it introduces into the story. All of this highlights a directorial virtue that was rare in this period. Zsolt Kézdi-Kovács is able to dramatise personal conflicts that arise purely from within.

Wanda wants to take care of everyone in her life. She barely has time for herself, not that she would know what to do with it anyway.

The Barbara Taylor Bradford trilogy that began with "A Woman of Substance", ends with this epic tale. Paula O' Neill feuds with her cousins as she fights to save her grandmother's business, and struggles to salvage her marriage.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

When progressive minister Leslie Reynolds welcomes a seemingly sweet couple into her church, she suddenly finds her finds herself entangled in the deadly obsession of a handsome new parishioner.

A 2003 Canadian Movie directed by Marcel Sarmiento